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Andrea del Sarto
Portrait of a Young Man
mk156
c.1517
Oil on linen
72.4x57.2cm
National Gallery
London
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Andrea del Sarto
Madonna of the Harpies
mk156
1517
Oil on panel
208x178cm
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Andrea del Sarto
Madonna and child with Sts Catherine and Elizabeth,and St John the Baptist
mk159
c.1519
Oil on canvas
transferred from panel
102x80cm
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Andrea del Sarto
The Madonna and the Nino, with Holy Isabel and the young one San Juan
mk166
1528
I Wave on board of wood
140x104cm
Galeria Palace Pitti Florence
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Andrea del Sarto
Sounds appealing with holy
mk166
1523
I Wave on board of wood
238.5x198.5cm Galeria Palace Pitti, Florence
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Andrea del Sarto
The Asuncion of the Virgin, with holy
mk166
1518 Board of wood
362x209cn Galeria Palace
Pitti Florence
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Andrea del Sarto
THe Madonna and Child with Saint Elzabeth and Saint John the Baptist
mk170
Circa 1515
Oil on wood
106x81.3cm
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Andrea del Sarto
Portrait of a Young Man
mk 170
1517-1517
Oil on linen
71x54cm
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Andrea del Sarto
Head of a Young Man
1520
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Andrea del Sarto
Details of the Assumption of the virgin
nn09
mkd-1520s
Oil on wood
379x222cm
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Andrea del Sarto
Donor
mk228
oil on canvas
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Andrea del Sarto
Donor
mk228
oil on canvas
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Andrea del Sarto
Swan
mk228
oil on canvas
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Andrea del Sarto
Angel
mk228
Oil on canvas
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Andrea del Sarto
oneiromancy for old man
mk228
oil on canvas
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Andrea del Sarto
oneiromancy for old man
mk228
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Andrea del Sarto
Virgin Mary and her son
mk228
Oil on canvas
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Andrea del Sarto
Holy famil and angel
mk228
Oil on canvas
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Andrea del Sarto
Meeting of Relive Jesus and Mary
mk228
Oil on canvas
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Andrea del Sarto
Portrait of Altar
mk228
oil on canvas
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| Andrea del Sarto
|
b.July 16, 1486, Florence
d.Sept. 28, 1530, Florence
Italian Andrea del Sarto Galleries
Andrea del Sarto (1486 ?C 1531) was an Italian painter from Florence, whose career flourished during the High Renaissance and early-Mannerism. Though highly regarded by his contemporaries as an artist "senza errori" (i.e., faultless), he is overshadowed now by equally talented contemporaries like Raphael.
Andrea fell in love with Lucrezia (del Fede), wife of a hatter named Carlo, of Recanati; the hatter dying opportunely, Andrea married her on 26 December 1512. She has come down to us in many a picture of her lover-husband, who constantly painted her as a Madonna and otherwise; even in painting other women he made them resemble Lucrezia. She was less gently handled by Giorgio Vasari, a pupil of Andrea, who describes her as faithless, jealous, and vixenish with the apprentices; her offstage character permeates Robert Browning's poem-monologue "Andrea del Sarto called the 'faultless painter'" (1855) .
He dwelt in Florence throughout the memorable siege of 1529, which was soon followed by an infectious pestilence. He caught the malady, struggled against it with little or no tending from his wife, who held aloof, and he died, no one knowing much about it at the moment, on 22 January 1531, at the comparatively early age of forty-three. He was buried unceremoniously in the church of the Servites. His wife survived her husband by forty years.
A number of paintings are considered to be self-portraits. One is in the National Gallery, London, an admirable half-figure, purchased in 1862. Another is at Alnwick Castle, a young man about twenty years, with his elbow on a table. Another youthful portrait is in the Uffizi Gallery, and the Pitti Palace contains more than one.
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